Inventory

Roman Bot

When a person passes away, what comes after? Usually, the life of the dead is placed on the memories of the living and physical objects, and digital memories are stored in remembrance. But when Eugenia Kuyda’s closest friend, Roman Mazurenko died, she searched for something far beyond the common and seemingly inadequate ways of preserving Roman’s memory. Instead, she saw a way to bring him back—as an AI bot. After Roman’s death, Kyuda found herself rereading the numerous text messages her friend had sent her over the years. He had a way of texting, characteristic only to him, filled with unconventional spelling—having struggled with dyslexia—and idiosyncratic phrases. These texts were some of the most precious and tangible memories she had of him. Before Roman’s death,

Ghosts!

Ghosts! is a location-based Bluetooth Low Energy Mobile Game. When the user walks around the museum with Ghosts, they will encounter ‘ghosts’ on the screen, saying that they are lost and need the visitors’ help to find their home artefacts. The artefact is equipped with its own BLE beacon, which is sent out periodically for the device to detect. When walking through the museum space, the visitors will be informed whether their direction is correct or not, based on the received signal strength of the beacon. If the signal is blocked, the ghost will require the visitor to walk into a more open space or raise the smartphone to redirect. By carefully selecting the artefacts for each ghost, the developer can also guide the visitors

Addressing Network Anxieties with Alternative Design Metaphors

The vision of the smart home that hosts human lives in its embrace with technological intelligence has been part of the cultural imagination for decades, if not longer. As network technology evolves, it has brought not only the smart home, but a high level of connectivity to all aspects of our lives. Now that our long-idealized future is arriving, what wrinkles might appear in its lustrous fabric when seen up close? Some problems have already begun to arise in recent years, such as the surveillance and privacy concerns related to the Google Home and Amazon Alexa systems. In this inquiry, Pierce and DiSalvo cast a wide net to consider network technology in terms of human anxiety. Their speculative approach imagines not so much the difficulties,

BIY ™- Believe It Yourself

Nowadays, our society is flooded with products and machines that can measure through phenomena, analyze data, and provide “insights” for us. Have you ever questioned the insights you were given? Instead of letting them tell us what to do, “now, we can at least make machines that believe what we might believe in! “ as stated in project BIY™, presenting the world’s first belief-based computing kit in an alternative future by the automato.farm artistic group. BIY™, Believe It Yourself, is a real-fictional project which includes a set of Raspberry PI trained by machine learning process to help make daily life decisions and predictions based on vernacular superstitions. The triptych includes the BIY.Move, BIY. See and BIY. Hear Kit. In function, the BIY.Move kit reinterprets location

Networking with Ghosts in the Machine: Speaking to the Internet of Things

The phrase Ghost in the Machine was created by philosopher Gilbert Ryle in 1949 and acts as a metaphor for the separation of mind and body. As an extension of this dualism, Lindley, Coulton, and Alter conduct a series of experiments that try to bring forth the digital “ghosts” that exist within physical networked machines (Internet of Things). The research described in the article is speculative and exploratory as the authors try to uncover novel design heuristics. They hope to help researchers, practitioners, and students conceptualize and better understand the socio-technical complexities of IoT. This exploration is important given the rapid rise in IoT and humans’ changing relationship with these physical-but-digital networks. The authors’ approach to Spooky Tech is through the framework of Post Anthropocentric

eGregor

eGregor is a research project by Christine Geeng about better aligning common mental models for smart personal assistants (SPA) with the reality of how they function. Geeng seeks to use imagery drawn from the Cthulhu Mythos, wherein humanity encounters grotesque beings so complex and vast that they are utterly incomprehensible, to provide users with a more complete understanding of how their SPA actually works. SPAs are household assistants that have functions such as setting timers, reminders, making phone calls, all based on voice commands from the user. Popular models include Amazon’s Alexa and Apple’s Siri. The legal documents describing the use and storage of user’s data for these devices are often hard to access and even harder to understand. As a result, the mental model

SpotMini-Boston Dynamics Robot Dog

SpotMini is a nimble doglike robot which is able to climb up and down stairs, dance to music, haul trucks and even open the door easily. It was released by Boston Dynamics in 2017 and available for purchase in 2019. Its amazing features include 360° vision and obstacle avoidance, and it can also carry more payloads than aerial drones do. Applications of SpotMini include but are not limited to construction, inspection of plant facilities and electric utility, mining, public safety, healthcare, entertainment and research. There’s no doubt that the advanced technology like deep-learning vision system applied by SpotMini is invaluable and leads the trend of our technology development, but there are that voices keep describing robots from Boston Dynamics including Spot, SpotMini, and Atlas as

Zoological and the meaning of movement

Can autonomous, algorithmically driven objects be “sensitive”? What about “entrancing,” or “menacing”? Some certainly seem to think so after visiting the exhibition Zoological, created by Random International for an immersive installation called +/- Human as part of the 2017 Bloomberg Summer season at the Roundhouse Theater in London. When visitors walked into this installation, they were met with eight delicate, autonomous orbs hovering above them in the air, moving algorithmically in response to one another and to other movements in their environment. This might include lazily gliding around one another, or coming to swarm directly over a viewers’ head. The Guardian’s review of the installation was so taken by the spooky sensations evoked by the orbs as to emphatically declare that “the true secret of

The Ultimate Retaliation: Pranking My Roommate With Targeted Facebook Ads

With only $1.70, his roommate’s Facebook user name, and some careful daily-life observations, Brian Swichkhow’s revenge prank on his roommate triggered real concern about a leak in his personal information. Brian was able to create Facebook ads using his roommate’s private details and target them specifically to his roommate. The highly personal ads created an illusion for his roommate that he was under watch. Throughout the prank, Brian remained anonymous by selecting personal details known only by his roommate’s close friends. The news of the Edward Snowden controversy further convinced his roommate that he was under watch. Although Brian revealed himself in the end, and his roommate’s life was restored to peace, the target marketing technology the article presents is still very unsettling. Audience targeting